The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture
(eBook)

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Published
Pluto Press, 2006.
Format
eBook
ISBN
9781783719532
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Various Authors., & Various Authors|AUTHOR. (2006). The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture . Pluto Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. 2006. The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture. Pluto Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Various Authors and Various Authors|AUTHOR. The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture Pluto Press, 2006.

MLA Citation, 9th Edition (style guide)

Various Authors, and Various Authors|AUTHOR. The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture Pluto Press, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID3f421651-b9ca-9ce3-5255-b9d6fb947311-eng
Full titlevinyl ain t final hip hop and the globalization of black popular culture
Authorauthors various
Grouping Categorybook
Last Update2024-05-14 23:01:27PM
Last Indexed2024-05-25 00:20:10AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 10, 2024
Last UsedMay 22, 2024

Hoopla Extract Information

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    [synopsis] => 'Hip Hop is Dead! Long Live Hip Hop!'





From the front lines of hip hop culture and music in the USA, Britain, France, Japan, Germany, Hawaii, Tanzania, Cuba, Samoa and South Africa, academics, poets, practitioners, journalists, and political commentators explore hip hop -- both as a culture and as a commodity. 





From the political economy of the South African music industry to the cultural resistance forged by Afro-Asian hip hop, this potent mix of contributors provides a unique critical insight into the implications of hip hop globally and locally. 





Indispensable for fans of hip hop culture and music, this book will also appeal to anyone interested in cultural production, cultural politics and the implications of the huge variety of forms hip hop encompasses.
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